
Horse of Interdependence
by Nino Budabin McQuown
I'm not the only one who'll keep you up at night.
Out on the road the pin-lights of twin cigarettes,
the risen stars. Your house has mold in the basement, eats
anarchist books. Here a baby was born on the floor of
the big room. I know her. Her mother wrote weeks ago, asked
me: did you have a bunny that died? Not quite. At night
I try to come quietly without disturbing the darkness past
mountain shapes and moths pressed against the glass, up
the ladder I built to the loft where I'm sleeping, hand out in the void,
reaching back to New York to hold my brother's hand off the edge
of the top bunk. Limp wrist, fingers forming the long incantation
of childhood. Warding and inviting. Him out like a light. Do we go
out like lights, I remember me asking. His wrist branched between
me and our green plastic stars. In your house the ghosts
of my forefathers come and stand over my body at night. Their ghost
spines stretching into the rafters, their ghost breath
fogging the lenses of my eyes. They come passing your forefathers
on the rough stairs. The bastards. Come quietly as ghosts to ask me
why these mountains? why this house? why this friend? At the law firm my brother
sleeps under his desk, his hand holding mine in the heavenless darkness.
My forefathers want me to understand: we're born alone, we die alone, like distant stars.
My naked forefathers, cord blood, and other blood, matted in the ancient
gray fur of their ghost bellies, whining, we're born alone, we go out like
the bedroom light! I can barely hear them for the chorus of gut fauna singing
behind our abdomens. For the crickets, moths, mountains, eukaryotes as numerous
more numerous than stars. The ghosts of their own e.coli singing in the vaunted black
halls of my intestines, through my thin walls, from the living dark: we did not
die alone, we never died.
Nino is a trans writer and performer from Baltimore, where they make puppet shows and teach gardening classes and go to other people’s readings and help raise a kid, and co-hosted and produced a podcast called Queers at the End of the World. Nino has published essays with outlets such as Edge Effects, Catapult, Epiphany, Kenyon Review Online, and Electric Literature among others, and poems and visual art with Sand, Barrelhouse, Cimarron Review, and Hotel Amerika.